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There is a continuity in Sanaya Malhotra’s performance – her faint smile. But the actor has not repeated any type of character in his six films. She played in other roles, a young wrestler in Dangal, a quarrelsome sister in fireworks, a shy student in Chitra Chitra and Ludo, a tireless friend in her 2020 release. Malhotra, it’s fair to say, survived the typecast. “People always asked me what roles I would do and I said to them, ‘I want to try everything.’ Since I am not a trained actor, I only learn when I play all kinds of roles.” The timing of his entry into Hindi Cinema was also important, subjects and characters that were offensive are now mainstream, allowing talented actors like Malhotra to flourish.

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In her upcoming film Paglit (a derivation of Pagal) – written and directed by Umesh Bisht, known from films like O Teri and Hero – she will play the role of Sandhya Giri, a young widow. Her husband has passed away and cannot grieve, so much so that Sandhya asks her to stop crying when her mother wakes up. Later, when Mother gives her tea, she demands Pepsi. When a friend, amid a comforting hug, tells Sandhya that she found out about her husband’s death through her sister’s Facebook post, she drunkenly says, “Yes, 235 comments in the post Huh.”

People close to Sandhya feel that she is abnormally normal. Her boyfriend asks, “Why are you acting like nothing happened?” Her answer: “You know, when I was little we had a cat. She ran away from the car. I cried a lot. And I didn’t eat any food for three days. She knows she can feel sadness; She can’t feel it now

While 29-year-old Malhotra acted in other OTT projects such as Ludo and Shakuntala Devi, Pagalight is the first film in which he played the only hero. It has a large cast – including Sayani Gupta, Shruti Sharma, and Ashutosh Rana – but the movie revolves around Sandhya. It was a difficult journey, to convince the audience that she is not sad and at the same time to sympathize with him. “I doubt I could have done it,” says the actor, “but Umesh and Guneet [producer, Monga]]were convinced I could do it. And I had a lot of great actors around. It gave me confidence.

Bisht’s writing helped. While Malhotra says that “the scenario was great,” she didn’t hold on tight. As the shooting progressed, it gradually gained access to the character’s mind. There was a scene where Sandhya was about to cry. But it was the 30th day of shooting and then I was familiar with it. That’s why I felt like she wouldn’t cry in that situation. I am grateful that Umesh allowed me to intervene and Sandhya wanted to tell him.

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Malhotra, in a way, became a drain for Sandhya and Bist. The director agrees. “Sanya did not perform; She won the character, “he says, praising the actor’s subtle performance.” The artist does not do comedy in the Chai-Pepsi scene. She’s just trying to catch the right note. [Performance] It’s like playing an instrument. For example, depending on the emphasis placed on a note, the sitar’s melody changes. It’s the same with acting. Pause, breathe… if you can concentrate and control things, the emotions can change drastically.

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