OK PC Evaluation: Star rating: 3.5 / 5 stars (three and a half stars)
If there is ever an option to get into the minds of Anand Gandhi and his associates, I might want to be the first specific person to try this. OK PC, to put it in an easy way, is a team of tremendously aware and awake individuals speaking about the flow by creating a long-term mirage.
I know that wasn’t easy, nor was the gift made by Neil Pagedar, Pooja Shetty and Gandhi. As I type this on my phone, a Bluetooth device is enjoying music in my ears. This gift has made me skeptical about whether or not I should use them. You will know!
Solid: Vijay Varma, Radhika Apte, Kani Kusruti Vibha Chhibber, Jackie Shroff, Sarang Sathaye, Ratnabali Bhattacharjee, Ullas Mohan & ensemble.
OK PC Evaluation: What Is It About:
The 12 months is 2031; Goa just isn’t the one we all know. It looks like someone simply gave it a New York makeover. Cars can drive themselves, robots have taken over human jobs, the best-invented robot is worshiped in the temples, and he’s a stand-up comedian (I interviewed Zakir Khan last week, exhibited), and Jackie Shroff is bald.
In the midst of it all, an AI car kills an unidentified man and chops his skull finer than any chef has chopped. Starts the hunt for the hit man and the ID of the deceased (Varma calls him Pav Bhaji, sin!). It is not an apparent parade and you have to anticipate the surprising.
OK PC Evaluation: What Works:
Viewing exhibits that speak with metaphors and cryptic methods is sort of a lay day at the health club. You might call it an exercise for the mind. Add to that Anand Gandhi becomes a member of the armed forces with two filmmakers already awakened, abs in a promised day.
OK PC on stage is how know-how is slowly taking off, and in ten years it would change people. The age-old battle between man and machine. But my overthinking thoughts, being a fan of Memesys’ previous work, were positive, it wasn’t simply that.
With OK Pc, writers Pooja Shetty, Neil Pagedar and Anand Gandhi make sharp and very crafty commentary regarding the society we live in. With a whole new twist, they present it by inserting the identical components sooner or later. A quick nod, they only advance the story ten years and less. It’s a kind of satire. Humorous really. The thought seems to be that if the blunt comment is not welcome, we make them realize their reality by making them giggle about it.
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The country’s politics are explored and proven in essentially the most simplistic yet highly effective method. Remember Ship Of Theseus or Tumbbad? How the primary story was a story to think about, but at the same time, the underlined message was a completely different animal. In the present, the makers talk about unemployment, riots, communism, fake information, hate, politics and much more.
It’s 2031, with Kani Kusruti’s Monalisa, they post a Malayalam character, who speaks in corrupted Hindi and tells the police that the AI also speaks Hindi. If the officer asks why Hindi? She says: “Government ka kehna hai unhe yaha rehna hai to yaha ki bhasha bolni padega.” Let’s just leave it there. You realize if you already know. Within the next second, Monalisa says she will one day have these persons communicate in Malayalam. An emotion that some of us even have now!
Writing in OK Pc is full of such a critic, and you can’t look at it with your blinkers. The perfect half regarding the present is that it is aware of the mistakes that not only society has, but even cinema makes out of its ignorance. Ajeeb, a robot, is a gender-neutral AI that addresses itself as ‘he’ and ‘she’. Every time Saajan (Vijay Varma) addresses him with an inappropriate pronoun, Monalisa corrects him and tells him to use ‘she’. Do you already know the degree of awakening that I am talking about?
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Obviously, Pooja and Neil also stick to the writing and don’t overdo it by letting the actors get outrageous in voicing these traces. You can’t even figure out that anyone barely mocked the system when Ratnabali’s character says the big business tycoon will fund the next surgical attack.
The actions of each person in particular are sincere. Vijay Varma as Saajan, a person who just doesn’t really help the know-how that reigns over people, performs a constantly irritated half with ease. It is its antique among the intense tones that make it an enjoyable watch. Radhika Apte will play Laxmi, a lady obsessed with artificial intelligence and technology. I can only think about how robust it must have been to convey these feelings for robots, including those that weren’t even invented. And dare to imagine it was part of a comedy scene. It’s critical, and Apte makes you think about it.
Kani Kusruti as Monalisa is my favorite. I had no thoughts of watching a spin-off about her character. She turns into the highlighter and personality that the writers use to boost their stay factors. She gets the sharpest dialogues, deliberately handed down in a sloppy way. Sarang Sathaye embodies a human who has misplaced his trust due to everything that happened, and it is a pleasure to observe. Jackie Shroff is bhidu, and always a deal with it.
Production design by Prasoon Basu & Gauri Tiwari is plausible. Machine does not look strange, robots are actually our toys, but in human scale. Diego Guijarro’s cinematography is simple yet efficient. A scene from the third episode has a panicky turn of events, including Radhika, Vijay & Ajeeb. The camera falls, the lens breaks, but it certainly keeps rolling within the single shot. I don’t know if this was intentional or unintentional, no matter how cinematic.
OK PC Evaluation: What Doesn’t Work:
The first three episodes are an enjoyable journey, and you too, as viewers, are with these individuals to track down the hit man. But when one of the many massive revelations takes place and turns the present around, the scenario begins to decline. Problems get a bit repetitive, and that’s what brought me out of the expertise.
After this level, the thrills and wows are in installments, and for viewers who had that in surplus in the first half, things get tricky.
The final episode can be very exaggerated in feelings, but it also becomes instantly preachy. We are out of sync with the preaching work. All messages were cryptic or metaphorical. However, the characters that bring up immediately don’t help OK Pc in its entirety.
In addition, the angle of the media or paparazzi following the individuals is cleverly used and simply forgotten. If someone is just not aware of the tradition, the characters could possibly mimic Deadpool and break the fourth wall.
OK PC evaluation: final sentences:
You will need to focus on what Memesys stands for as a content creator to understand exactly what OK Pc needs to get you to know. In fact, we freely give the opportunity to have know-how, but the various evils also exist, and Pooja, Neil and Anand simply want to present that to you. There is a sect that creates a personal army. Many references that speak about our dark reality. As good as that is, all of that is marinated in humor and sarcasm. Check out OK Pc on Disney Plus Hotstar.
Should learn: Hina Khan’s multi-colored striped bikini isn’t just any ‘bombshell’ Appears to be, it also takes a bomb – worth it.
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